With the new millennium, Marvel Comics escaped from bankruptcy and again began diversifying its offerings. In 2001, Marvel withdrew from the Comics Code Authority and established its own Marvel Rating System for comics. The first title from the era to not have the code was X-Force #119 (Oct. 2001). It also created new imprints, such as MAX, a line intended for mature readers, and Marvel Age, developed for younger audiences. In addition to this is the highly successful Ultimate Marvel imprint, which allowed Marvel to reboot their major titles by deconstructing and updating its major superhero and villain characters to introduce to a new generation. This imprint exists in a universe parallel to mainstream Marvel continuity, allowing writers and artists freedom from the characters' convoluted history and the ability to redesign them, and to maintain their other ongoing series without replacing the established continuity. This also allowed Marvel to capitalize on an influx of new readers unfamiliar with comics but familiar with the characters through the film and TV franchises. The company has also revamped its graphic novel division, establishing a bigger presence in the bookstore market. As of 2007, Marvel remains a key comics publisher, even as the industry has
dwindled to a fraction of its peak size decades earlier.[citation needed]
The company launched a major online initiative late in 2007, announcing Marvel Digital Comics Unlimited, a digital archive of 2,500 back issues available for viewing, for a monthly or annual subscription fee.[21]
In November of 2007, Marvel contacted the popular comic book bittorrent site, Z-Cult FM, and gave it three days to remove illegal scans of Marvel comic books before Marvel pressed charges. Z-Cult contacted Marvel and negotiated that it would remove all Marvel comics from its site within seven days.[22]
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